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Multimedia bench dedicated to Bartłomiej Obrochta


Bartłomiej Obrochta, known as Bartuś, was born on August 15, 1850, in Zakopane and died on May 1, 1926, also in Zakopane.
He was buried at the New Cemetery in Zakopane. He is known as an outstanding violinist and a Tatra mountain guide.

From an early age, Bartuś Obrochta learned to play the violin. He attended the elementary school for two years, which he completed. One of his teachers was the famous Jan Krzeptowski Sabała. Obrochta is considered one of the finest highlander musicians. It is said that even the brigand Wojtek Mateja was interested in his music and took Bartuś into the mountains to entertain him and his companions.

Obrochta’s music also attracted the interest of, among others, Ignacy Paderewski and Karol Szymanowski, for whom it became an inspiration while composing the famous Harnasie. The melodies performed by the talented highlander were recorded on wax cylinders by Juliusz Zborowski, the long-time director of the Tatra Museum.

Bartuś Obrochta also played for Henryk Sienkiewicz, Stanisław Witkiewicz, and Bolesław Prus. He composed melodies himself, both for violin and for a full band (three violins and bass).

He was also the founder of a folk band (kapela), which included his sons (Jan and Stanisław), and later his grandson Władysław. In 1897, he traveled with his band to Warsaw for the first time to perform during an exhibition of a Tatra panorama. In 1925, he performed in the Polish Pavilion at the International Exhibition of Decorative Arts in Paris.

He died with a violin in his hands on the Path under the Reglas (Droga pod Reglami), while returning from a gathering (posiady). To this day, a wooden commemorative shrine stands at that place.
From around 1878, Bartłomiej Obrochta worked as a Tatra guide and obtained first-class guide credentials before 1892. Notable expeditions include:

  • a pre-1880 attempt to climb Ganek together with Ludwik Chałubiński and guide Wojciech Roj,
  • in January 1894, the first winter crossing through Zawrat to Morskie Oko, during which he served as the main guide for Jan Grzegorzewski.
Between 1876 and 1888, as both musician and guide, he participated in excursions organized by Tytus Chałubiński. It is said that during one such camp, the choreography of the traditional zbójnicki dance was established. He also accompanied Sabała, Bolesław Prus, and Henryk Sienkiewicz on their expeditions.

From 1886, he worked as a ranger for the Tatra Society, protecting chamois and marmots. He also worked on building mountain trails (in 1887, together with Maciej Sieczka, he installed iron chains on the route from Waga Pass to Wysoka via Pazdury).

In the years 1890–1895 and 1914–1922, he managed the shelter in Stara Roztoka. In 1894, he was listed as the publisher of Goniec Tatrzański, although the actual publisher was Jan Grzegorzewski.

In the Tatras, he is commemorated with two place names: Bartkowa Turnia and Bartkowa Przełączka (in the western ridge of Mały Ganek). His stories were recorded and published by Juliusz Zborowski in:

  • A Trip with Bolesław Prus (1929),
  • Medicines from Tatra Dragons (1932).

Since 1965, the Bartuś Obrochta Regional Ensemble has existed in Zakopane.

Pieces whose fragments can be heard on the bench:

  • Sabałowa
  • Ozwodna. Ej góry, moje góry
  • Drobny po śtyry
Recordings by Juliusz Zborowski were made on Edison phonograph cylinders between 1913 and 1914 in Nowy Targ. They are included on the album “Thus the phonograph began collecting Podhale melodies”, published by the Tatra Museum named after Dr. Tytus Chałubiński in Zakopane and the Institute of Art of the Polish Academy of Sciences in Warsaw.

Narration: Andrzej Bienias – actor of the Stanisław Ignacy Witkiewicz Theatre
Recording: Natalia Sosna
Audio materials: from the collection of the Tatra Museum named after Dr. Tytus Chałubiński
Bench design: sculptor Marek Szala